Monday, July 26, 2010

Knights of The Abyss Announce Details of New Album, "The Culling of Wolves," Out August 17th on Ferret Music‏

Announce Details of New Album, "The Culling of Wolves," Out August 17th on Ferret Music
Full US Tour, Including Dates w/ Cattle Decapitation, Beginning August 2010!



If, in the last five years, you’ve somehow managed to miss out on Glendale, Arizona’s Knights of the Abyss, it’s time for things to change. Since 2005, the death metal outfit has released two explosive albums through Candlelight/S.O.A.R. and Ferret Music respectively, 2007’s Juggernaut and 2008’s Shades, and have toured with the likes of The Acacia Strain, Annotations Of An Autopsy, Arsonists Get All The Girls, and more. On August 17, Knights of the Abyss will unleash their third opus, The Culling of Wolves, an album that’s going to change all preconceived notions about the band forever.

Those familiar with Knights of the Abyss may not recognize the band on The Culling of Wolves, but then again, they may not recognize any of the band members’ names either. Aside from founding guitarist and main Knights song scribe Nick Florence, Knights is rounded out by an entire new cast of characters. Vocalist Harley Magnum joined the band this year, while guitarist Brian McNulty, drummer Ben Harclerode, and bassist Griffin Kolinski entered the fold in 2009. The result is a more mature, more focused, more metal Knights. This is a death metal band, not a deathcore group, as they’ve been so unfairly labeled. The Culling of Wolves' sound bridges the gap between Black Dahlia Murder, All Shall Perish, and Behemoth and it’s a devastatingly vicious blitz on the senses, inspired by the melodic death metal greats of Gothenburg.



“The main writing force of the band, as far as guitars go, is still there, but for the most part, there’s a lot of influence from the new members and I think fans are going to hear that on the new record,” explains Kolinski, who, like the rest of the band, was approached by Florence to replace members who’d left to pursue higher education and other endeavors. “I do feel that this is the strongest and heaviest Knights record to date. It is a completely new band, but this new record does have elements on it that old fans will like. We’ve moved away from some of the old stuff, and there’s a lot more groove and heavier aspects on the new record. Some of the old fans will love the new direction we’ve taken.”

The Culling of Wolves contains 11 blistering, crushing tracks and, while a concept record in theory, is not your typical concept LP. There’s no story that runs through the disc, but there was definitely a major inspiration behind songs like “The House of Crimson Coin,” “The Swine of the Holy Order,” and the album's first single, “Deceiver’s Creed:” The U.S. Treasury Department.

“I am afraid it probably is a very opinionated record, but we’re not slamming anyone; we’re just making our opinions known,” the bassist says, before explaining that some songs focus on the creation of the Federal Reserve while others revolve around The Bilderberg Group (an unofficial, invitation-only conference of men of influence in the fields of politics, banking, business, the military and media) and Bohemian Grove, a 2,700-acre campground in California that hosts an annual three-week encampment of some of the most powerful men in the world.

To support The Culling of Wolves, Knights of the Abyss plan on spending the next year or more on the road, and already have tours lined up with Cattle Decapitation, Conducting From the Grave, Burning The Masses, and more.

“We’re death metal and that’s all we’ve ever wanted to be,” says Kolinski in conclusion. “We’re not trying to associate ourselves with anything but death metal. We want to head out with bigger straight metal acts and we don’t want to back ourselves into a corner. This record is a huge expansion on the band and a natural progression for this band. We’re a new and improved Knights. This version is bigger and better and we’re more solid live.”

Thursday, July 8, 2010

Review - Gregorian BC-Conquistadors of War


Gregorian BC is the brainchild of Brian Chupp who handles all vocals, guitars, bass & keyboards with help from session drummer Billy Ashbaugh (Snap, Britney Spears, Jordan Knight) on this impressive debut "Conquistadors of War".
The whole disc minus the closing track "East Coast Rocker" is a sludgy doom experience that brings to mind early Swedish doom metal merchants Candlemass, with vocal influenced by Glen Danzig & Jim Morrison of The Doors. A good effort overall with solid production by Jim Morris of Morrisound Studios who has produced classics by the likes of Tran Siberian Orchestra, Morbid Angel, Savatage and others.

Click here to purchase from I Tunes

Thursday, June 24, 2010

Deftones, Circa Survive, Baroness tour


Deftones will headline a summer trek with Circa Survive and Baroness appearing on select dates. The following shows have been announced thus far, with more to come:

dates w/ Circa Survive
8/6 Ventura, CA @ Ventura Theatre
8/7 Fresno, CA @ Woodward Park
8/8 Sacramento, CA @ Memorial Auditorium
8/10 Reno, NV @ Knitting Factory

dates w/ Baroness
8/12 Spokane, WA @ Knitting Factory
8/13 Medford, OR @ Medford Armory
8/14 Salt Lake City, UT @ Rail Event Center
8/18 Lubbock, TX @ Lonestar Pavillion
8/19 Tulsa, OK @ Brady Theatre
8/22 New Orleans, LA @ House of Blues
8/25 Miami Beach, FL @ Fillmore Miami Beach
8/27 Orlando, FL @ House of Blues
8/29 Myrtle Beach, SC @ House of Blues
8/31 Richmond, VA @ National
9/2 Norfolk, VA @ Norva
9/3 Charlotte, NC @ Fillmore

9/8 Cincinnati, OH @ Bogarts
9/10 Columbus, OH @ Newport Music Hall
9/14 Cleveland, OH @ House of Blues

The Sword To Release “Warp Riders” on August 24th




One of the biggest cogs in the metal revival machinery forged over the past 7 years, The Sword, are set to release their third album for Kemado Records on August 24th. The follow-up to 2006’s Age of Winters and 2008’s Gods of the Earth, Warp Riders, is poised to blow my effing mind and after inclusion in the last three editions of Guitar Hero, you know they’ll be poised to deliver the molar-rattling riffs we’ve come to expect from the Austin, TX quartet.

[mp3] [listen] The Sword – “The Frost-Giant’s Daughter”
[mp3] [listen] The Sword – “How Heavy This Axe”

One of the foundations of the metal revival of the past ten years, Austin TX’s The Sword have released two flawless slabs of vintage heaviness on Kemado Records, toured the world with Metallica, and were honored to grace the past three editions of Guitar Hero. This summer, the band casts its gaze to the stars for Warp Riders, their third full-length and their most ambitious effort to date. Hitting stores on August 24th via Kemado Records, it is the band’s first concept album and is fittingly grand in scope both lyrically and in terms of musical craftsmanship.

This also marks the first release where the group has worked with an outside producer. Helmed by Matt Bayles (Pearl Jam, Mastodon, Isis), Warp Riders is anchored by an epic science-fiction narrative. The storyline is a psychedelic space opera that explores temporal themes of death and rebirth.

The album also finds The Sword expanding their range from pure metal to include bone-crunching hard rock at large. Rather than dampening their sound, the band actually sounds more amplified than ever, spewing out some of their most scalding riffs to date and channeling an unearthly bellow from their low end.

Opening track “Acheron/Unearthing The Orb” begins with ominous, fog-drenched atmosphere before a flurry of nimble fretwork and galloping drums storm out of the gate. The energy doesn’t let up once and by the final moments of closing track “(The Night Sky Cried) Tears of Fire,” an intensely satisfying resolution sets in. Guitarists Kyle Shutt and JD Cronise execute punishing acrobatics while injecting melody at every turn. Bryan Richie’s warm bass lays down the foundation and ripples with menace. Trivett Wingo’s drumming explodes with the perfect balance of both precision and dexterity. Each member of The Sword is an individual force to be reckoned with, but when united they come together like the four horsemen of the apocalypse to wreak havoc like no other.

KITTIE Announces Dates With DEVILDRIVER




Canadian all-girl metal band KITTIE will play the following shows with DEVILDRIVER:

Aug. 25 - Eleanor Rigby's - Jermyn, PA
Aug. 26 - The London Music Hall Lounge - London, ON
Aug. 27 - Alrosa Villa - Columbus, OH

More dates will be announced soon.

KITTIE's latest album, "In The Black", sold around 3,400 copies in the United States in its first week of release to debut at position No. 132 on The Billboard 200 chart.

KITTIE's previous CD, "Funeral for Yesterday", opened with 9,000 units back in February 2007 to land at No. 101.

"In The Black" was made available in Europe on October 23, 2009 via Germany's Massacre Records.

KITTIE will take part in this year's edition of the Thrash And Burn tour alongsideASKING ALEXANDRIA, BORN OF OSIRIS, STICK TO YOUR GUNS, IMPENDING DOOM, THROUGH THE EYES OF THE DEAD (first half), EVERGREEN TERRACE (second half), GREELEY ESTATES, PERIPHERY, MOTIONLESS IN WHITE and CHELSEA GRIN. The trek will run from July 16 to August 15.

Stinky the Blade of Capital Chaos conducted an interview with guitarist/vocalist Morgan Lander of the Canadian metal band KITTIE on June 5, 2010 at the Warfield in San Francisco, California during the group's tour with INSANE CLOWN POSSE, NECRO, COOLIO and KOTTONMOUTH KINGS. Watch the chat in two parts below.



Monday, June 21, 2010

Legendary Stoner Rock Icons SLEEP Announce Fall Tour



Legendary stoner rock band SLEEP split in 1997 after two hugely influential albums. Members went on to form underground heroes OM and HIGH ON FIRE, and more recently metal supergroup SHRINEBUILDER. This fall, original members Al Cisneros and Matt Pike will be joined by drummer Jason Roeder of NEUROSIS to perform the seminal "Holy Mountain" album as well as selections from "Dopesmoker" and more.

SLEEP debuted with 1991's "Volume One" album, recorded for San Francisco label Tupelo. Earache Records received the band's next recordings in the mail as a demo. The label — impressed by SLEEP's single-mindedness and unique vision — immediately signed the band and released the tape exactly as it was received. Record stores worldwide stocked SLEEP's "Holy Mountain" from November 1992 to this day.

After signing with London Records, SLEEP's major-label debut took the form of one mammoth 63-minute leviathan of a track entitled "Jerusalem". The band resisted the label's attempts at radio edits and bringing in their own engineer to remix the album in view of "marketability." London balked at the prospect of promoting what is probably the most extreme music ever recorded for a major label, then shelved the recording and dropped the band.

SLEEP's music has been featured in films by Harmony Korine and Jim Jarmusch.

SLEEP 2010 U.S. tour dates:

Sep. 03 - All Tomorrow's Parties - Monticello, NY
Sep. 07 - Starlight Ballroom - Philadelphia, PA
Sep. 08 - Brooklyn Masonic Temple - New York, NY (w/ LICHENS)
Sep. 09 - Logan Square Auditorium - Chicago, IL (w/ LICHENS)
Sep. 10 - Mohawk - Austin, TX (w/ SUB OSLO)
Sep. 11 - Roseland Theater/Music Fest NW - Portland, OR (w/ SCOTT KELLY, YOB)
Sep. 12 - Regency Ballroom - San Francisco, CA

Saturday, June 19, 2010

OTEP SHAMAYA UPDATES TOUR BLOG AND RESPONDS TO BP OIL SPILL‏


Known for her outspoken political views and on-going advocacy in the LGBT community, Otep frontwoman Otep Shamaya responds to the BP oil spill. To view the original post, please see below. You can also view Otep’s tour blog at www.imnotamonster.com.

My friends,



I find myself deep in the rolling green of the beautiful Southern territory of flavorful Fayetteville, Arkansas. The hills are rich with a monochrome flora and the arching landscape is crested by a silky blue sky brimming with billowing clouds moving slowly overhead like an enormous ghost armada returning victorious from war.

The heat is thick and sweltering. It is a strange and wondrous sensory experience.

I see all this and am amazed how anyone could live surrounded by such beauty but care so very little about maintaining it.

I wonder if future generations will ever believe days like this actually existed or will they assume that these are just the words of a demented mind twisted with fantasy or folklore? Perhaps they will lament on the rugged Eden that their ancestors took for granted and squandered in the heavy stink of apathy and inaction?

I remember my home, beautiful Los Angeles, and how sad it is that we do not have skies like those over Arkansas. Our sun rides high above a nicotine-stain of a haze hacked up from the millions of cars belching their lower-regulated exhaust into our atmosphere.

I remember the live webcam of the BP oil spill currently vomiting millions of gallons of crude into our ocean, killing wildlife, poisoning our water, and ultimately us.

If we do nothing, we are consenting to the murder of our planet and condemning future generations to endure a reality far worse than the one we were left by those who failed us generations before.

How many more brave American soldiers must be sent far from home, to kill, to fight, to be injured, to die (or see their friends die) in senseless wars for oil? (Much love & respect to the US Armed Forces.)

How many more innocent animals must perish, confused, suffocating and choking in stinky goo, due to our selfish inaction and apathy?

How many more American dollars will WE allow be sent to fund Iranian nuclear capabilities or the Saudis and ultimately al-queda?

What else needs to happen for us to demand a LEGITIMATE clean energy policy to purge this parasite of petroleum from our national skin?

I realize this will not be an immediate fix. There will be no mass exodus from fossil fuels. Our infrastructure is too dependent on it. Like any junkie, we must be weaned slowly from our petroleum addiction.

It might be a little painful, sure, but Americans are made from hard stock. We braved the rocks and jagged edges of pioneering the wilderness of a new country and we can do it again.

But it only works if we do it together and (this time) do it RIGHT. Clean Energy and Alternative Energy sources will create AMERICAN jobs. Solar, Wind, Hemp, Algae, Ethanol, Natural Gas, et cetera, et cetera will empower and fortify our workforce. Not just financially, but intellectually, and it helps secure the health and beauty of our only home – planet Earth.

Let us reclaim our pioneering spirit:

“If not us, who. If not now, when?”

In art,

Otep Shamaya
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